‘WHAT MEN OR GODS ARE THESE?’
(2024)
PLASTER, PORCELAIN, ACRYLIC PAINT, CYANOTYPE, CEMENT, INSULATION FOAM, PACKING CHIPS, SAND, WOOD
DIMENSIONS VARIABLE
Grounded in her studies on Ancient Greek art, Maisie explored the way in which we look back at Grecian vases as precious relics and yet they were used in most households as domestic objects to mix or drink wine. These vases would be used most often in all-male landscapes such as symposiums. If these vases depicted women, they would be presented either being abducted, to be killed or raped, or working as prostitutes. In order to explore the relationship between violence, exploitation and femicide with the convivial masculine landscape, Maisie has transferred this imagery onto the modern day drink-vessel of milk bottles whilst also incorporating modern equivalents such as ‘tart cards’ and the parallel between Zeus extending an arm to abduct a woman with the CCTV footage in which Sarah Everard is reached out to by the police officer who abducted, raped and killed her. The works are displayed in a dioramic installation calling to ideas of what we leave behind become relics and reinstates themes of mass-production and the commercialisation of violence towards women.